Matt Damon, a leading Hollywood figure often praised for his film choices, recently addressed what he considers his biggest misstep in a career largely free from critical disasters. Despite releasing multiple films nearly every year since the late 1990s, Damon’s keen instincts usually keep him clear of notorious failures, but even he has projects he now regrets—including one that his own family openly criticizes. This revelation puts the spotlight on the ongoing conversation about the Matt Damon worst movie.
Consistent Output Mixed with Occasional Disappointments
Over the past three decades, Damon has managed to avoid the pitfalls that have affected many of his peers, such as Ben Affleck, who deals with both minor misfires and outright flops. Even Damon’s least successful efforts, whether artistically ambitious or critically disappointing, often involve collaborations with A-list talent. For example, “Suburbicon” paired him with director George Clooney and writers the Coen Brothers, while “The Monuments Men” featured industry icons like Bill Murray, John Goodman, and Cate Blanchett. Another potential highlight, “All the Pretty Horses,” was derailed creatively, in part, by Harvey Weinstein’s interference.
In some forgettable ventures such as “The Brothers Grimm,” “The Legend of Bagger Vance,” and “Downsizing,” Damon still worked under prominent directors like Terry Gilliam, Robert Redford, and Alexander Payne, alongside notable stars including Heath Ledger and Will Smith. While these films did not draw widespread acclaim, his choices enabled artistic growth and maintained his Hollywood reputation.
The Great Wall: A Miscalculation on an International Scale
The real low point, according to Damon, emerged when Hollywood sought to break into the Chinese film market. During this period, many American stars began signing onto Chinese-led blockbusters, drawn by the prospect of global box office dominance. Damon chose to participate in “The Great Wall,” a big-budget fantasy directed by acclaimed auteur Zhang Yimou—whose earlier work had earned international respect.
Despite its ambitious premise, which imagined China’s historic wall as a defense against mythical monsters, “The Great Wall” ultimately failed to connect with both critics and audiences. Even with a staggering global box office gross of nearly $335 million, the film’s enormous production and advertising costs resulted in financial disappointment. Damon himself later confessed,
I never want to have that feeling again.
—Matt Damon, Actor
The Personal Toll and Family Reactions
The aftermath of starring in “The Great Wall” left Damon troubled and disappointed, a sentiment compounded by the reactions of his family—particularly his daughter, Isabella. Rather than forget the experience, Isabella regularly teases her father about the film, demonstrating its lasting effect within his household. Damon recounted,
Whenever she talked about the movie, she calls it The Wall,
—Matt Damon, Actor. Attempting to correct her, Damon explained,
And I’m like, ‘Come on, it’s called The Great Wall,
—Matt Damon, Actor. Isabella’s blunt reply underscores the family consensus on the film’s quality:
And she’s like, ‘Dad, there’s nothing great about that movie.’
—Matt Damon, Actor
Broader Industry Reflections and What Lies Ahead
Damon’s experience with “The Great Wall” serves as a sobering reminder that even the most respected actors, surrounded by accomplished filmmakers like Zhang Yimou and collaborating with industry giants from both the United States and China, are not immune to career setbacks. The fallout prompted not only professional reflection but also frank family discussions, showing how the consequences of such projects can be deeply personal. As Damon continues to pursue new roles, this experience ensures a more cautious approach toward future international collaborations. The story of “The Great Wall” stands as a cautionary tale in both the Damons’ household and for Hollywood actors seeking to expand their footprint into new markets.
