Bollywood’s beloved Bhaijan, Salman Khan, has once again set cinema halls ablaze with his latest release, ‘Sikandar’ 2025, following the much-anticipated tradition of Eid releases. Garnering both acclaim and criticism, the film hit screens on March 30, shortly before Eid-ul-Fitr. Khan’s colossal fan base ensures his movies thrive in box office figures, and ‘Sikandar’ is no exception.
Directed by A.R. Murugadoss and produced by Sajid Nadiadwala, ‘Sikandar’ features Salman Khan in a compelling dual role as Sanjay Rajkot and Sikandar, alongside Rashmika Mandanna, Kajal Aggarwal, Sathyaraj, Sharman Joshi, and Prateik Babbar. The action thriller crafted waves of excitement among audiences who flocked to theaters, especially on its premiere day, which coincidentally fell on a Sunday.
The initial response to ‘Sikandar’ has been polarized. Many ardent Salman Khan fans celebrated its release, reveling in the drama and thrill it promises. A movie enthusiast shared on social media, “Just watched #Sikandar and I believe this to be the best Salman Khan movie after Bajrangi Bhaijaan.” The film had fans outside Mumbai’s Gaiety Galaxy Cinema ecstatic enough to celebrate with cake-cutting and a video showcasing fans dancing within theater aisles.
Nevertheless, not all feedback embraced ‘Sikandar’ with open arms. Some critics lamented the film’s storyline, suggesting it lacked the depth needed to grip audiences. Detractors aired views like, “Whole #Sikandar movie can’t match even 10% of this interval sequence of #Jawan..!” A few voiced their disappointment further, counseling others against spending money on the film.
The fervor surrounding Salman Khan’s movies often transcends narrative critiques, with fans valuing the actor’s presence and charisma more than script intricacies. Yet, this duality in reception reflects the evolving landscape of Bollywood cinema, where even the mightiest stars, like Salman Khan, face diverse audience expectations.
As ‘Sikandar’ carves its path amid contrasting reviews, it emphasizes Salman Khan’s continued reign over the Eid release lineup. The debates about the movie’s storyline do not overshadow its ability to attract impressive footfall in theaters, showcasing Khan’s enduring appeal. The film opens avenues for introspection into the future direction of Bollywood films where star power meets narrative demand.
In summary, while the criticism serves as a sobering reminder of audience expectations, the resilience of Khan’s fanbase provides a buoy for the film’s success. Observers will watch closely to see how ‘Sikandar’ shapes the discourse on star-driven releases and their evolving reception among cinema lovers.
