Rachel Zegler is facing challenges reminiscent of past Disney struggles, particularly concerning the legacy of the original Snow White voice actress, Adriana Caselotti. In 1937, Caselotti found herself entangled in a problematic relationship with Disney Studio, a saga that uncannily echoes Zegler’s experiences during the pre-production of the upcoming live-action Snow White set for release in 2025. Despite the 88-year gap between these films, the studio’s treatment of its stars appears to exhibit an enduring pattern of exploitation.
Caselotti, famously known for her role as Snow White, faced Disney’s stringent rules and restrictive policies under Walt Disney’s leadership. Despite her remarkable contribution to the company’s success, she was never publicly credited, a decision rooted in Disney’s desire to maintain the magic of his animated characters. The actor, who was paid a mere $970 for her efforts while the film grossed $330 million, found herself barred from further career opportunities by Disney’s decree, which prevented her from participating in other films or making public appearances.
As history observes the silent struggles of Caselotti, Rachel Zegler might find herself in a similar situation. Starting with her casting announcement, Zegler’s association with Disney’s Snow White project has been marred by controversies. Criticism has stemmed partly from her background and partly from political stances that have sparked debate. Moreover, the negative spotlight intensified when the son of Snow White’s producer publicly criticized Zegler, attributing the potential downfall of the film to her outspoken nature and personal politics.
Social media amplifies the eerie parallels between Caselotti’s and Zegler’s narratives. One fan highlighted the uncanny similarities in a tweet, stating, “Adriana Caselotti and Rachel Zegler. Both are Snow White. Both were put through hell for wanting Disney to pay artists fairly. Both silenced in different ways to save the company’s image. Both deserved so much better.” This comparative reflection suggests a longstanding issue that Disney has yet to fully address.
Despite Caselotti’s eventual recognition as a Disney legend three years before her death, the honor came too late to rectify her overlooked contributions and missed opportunities. Zegler’s current reality reflects this past struggle, as her career faces significant instability. The tensions surrounding her casting and public persona may forecast a precarious future similar to Caselotti’s.
Rachel Zegler’s present challenges highlight an ongoing narrative within Hollywood and Disney’s legacy. As the live-action Snow White plays worldwide, its reception may hinge less on the star’s talents and more on the broader implications of how Disney treats its leading stars. While the situation remains fluid, it serves as both a cautionary tale and an opportunity to champion for fairer treatment in the industry.
