James Gunn facing friction with HBO over DC Universe is becoming a central narrative as studio dynamics shift behind the scenes. Recent developments indicate that Superman, a cornerstone of the brand, has been reworked in response to test screenings. The director’s creative vision has encountered resistance, especially as HBO weighs the future of DC projects on television.
On The Hot Mic podcast, Jeff Sneider, an entertainment insider, disclosed that the original structure for Superman was intended to break new ground by running through an episodic format set across various days of the week. This experimental approach has now been abandoned, pointing toward the studio choosing a more traditional and less risky narrative. As Sneider explained,
“It sounds like [DC Studios is] playing it a little safe.”
—Jeff Sneider, Entertainment Insider
The change aligns with prior reports suggesting the film was seeing substantial changes mid-production, including the possibility of new musical direction. Although shifts during post-production aren’t out of the ordinary for major blockbusters, the move away from the bold format may reflect a lack of confidence in straying far from established superhero conventions. With the DC Universe undergoing a significant reboot, the stakes are particularly high for James Gunn, who was aiming for something distinct but is now prioritizing broad audience approval.
Pressure on Creative Risk as Studio Prioritizes Broad Appeal
With the DCU coming off a tumultuous era, DC Studios is under pressure to deliver a film that reassures longtime fans and attracts new viewers. The decision to opt for a more conventional Superman underscores the studio‘s urgency to avoid missteps. While supporters hope Gunn is given the freedom to inject his trademark creativity, the understanding is that millions ride on the film’s reception, making risk aversion understandable.
During the same podcast, John Rocha and Sneider speculated about notable cast possibilities, including a rumor that Colin Farrell, recognized for his role in The Batman, could be considered to play Brainiac in future DC films. Given his recent open schedule after delays on Sgt. Rock and his acclaimed transformation in The Penguin, Farrell would bring substantial experience to such a role. However, it’s worth noting that Farrell has expressed reluctance regarding the demanding makeup processes that such roles require, based on his candid feedback from The Penguin series production.
HBO Reportedly Blocking New DC TV Projects
The situation becomes more complex when considering the television side of the DCU. According to Sneider,
“HBO [is] blocking Gunn’s ideas for TV shows.”
—Jeff Sneider, Entertainment Insider
HBO’s hesitation appears centered on integrating titles like Lanterns, Waller, and Booster Gold into its established lineup. Historically, HBO has pursued prestige programming, championing high-profile projects such as Watchmen and offering strong support to The Penguin. The network’s reluctance to embrace a wave of superhero shows is raising questions about its long-term vision for DC content.
This resistance may explain why the upcoming Peacemaker Season 2 retains the Max Original branding, despite earlier intentions for all DCU series to premiere on HBO. If HBO continues to push back against superhero-themed entries, it is likely that Max, rather than HBO proper, will serve as the primary home for future DC Universe television ventures.
What the Shake-Up Means for DC’s Future
Gunn’s ambitions for the DC Universe remain substantial despite current obstacles, and the altered direction for Superman is only one facet of a larger recalibration. The uncertainty surrounding HBO’s involvement signifies ongoing power struggles over content ownership and creative control. Fan expectations are high, and while many hope for inventive risks and bold new ideas from Gunn, studio realities may necessitate compromise.
The DCU’s next chapter will likely be defined by how these conflicting priorities are balanced. The choices made in the coming months — both in the editing suite and in network boardrooms — will shape the trajectory of DC on both the big and small screen. As developments unfold, the industry’s attention will be fixed on whether James Gunn and DC Studios can bridge artistic innovation with the demands of an evolving television landscape.
