Salma Hayek’s 1998 movie, The Faculty, has sparked comparisons to Ryan Coogler’s Sinners, and some viewers believe this earlier film actually excels in one important way. While both movies feature unique spins on horror and sci-fi, the ongoing discussion centers around their approaches to storytelling and genre consistency, placing the Salma Hayek 1998 movie compared to Sinners in a new light among streaming audiences.
The Faculty and Sinners: Exploring the Overlapping Plots
Salma Hayek starred in The Faculty in 1998, a film that falls into the horror and sci-fi categories. The plot centers on a school infiltrated by aliens who infect teachers and students, leading to chaos as the main characters uncover that a friend among them is actually the alien queen. Their solution hinges on using Zeke’s mixture—essentially raw caffeine powder—to dehydrate and kill the invader, with the end result restoring normalcy after the queen is defeated.
In comparison, Ryan Coogler’s Sinners follows twin brothers whose passion for blues music draws vampires to their home. The conflict intensifies as one brother is turned into a vampire, while the other dies in a climactic gunfight with the Ku Klux Klan. Both films utilize invaders—whether aliens or vampires—as disruptive forces in otherwise everyday settings, and both stories involve the concept of transformation and loyalties among close-knit groups of characters.

Many fans and critics, including those engaged online, have remarked that the parallels in plot make it impossible to ignore the similarities between the stories, despite differences in settings and antagonists. Both the Faculty and Sinners have attracted attention for their mix of suspense, horror, and the central fight for survival.
Genre Consistency Sets The Faculty Apart
One key area where the Salma Hayek 1998 movie compared to Sinners appears to shine is in its dedication to genre. The Faculty remains firmly within the horror and sci-fi space from start to finish. Viewers looking for a classic horror experience may find comfort in its straightforward approach: a suspenseful setting, a clear supernatural threat, and a resolution that brings a return to normalcy, all grounded in the traditions of 1990s genre filmmaking.
Sinners, on the other hand, ventures beyond horror. While it opens with supernatural threats, it evolves into a layered narrative embracing historical reflection, cultural exploration, and intense musical performances. The inclusion of blues and references to the era’s social climate bring depth, but also, as some viewers suggest, make the film feel like a “mish-mash of several different things.” The complexity enhances its appeal for some, but leaves others wishing for a tighter focus.
Salma Hayek’s appearance in The Faculty lends it star power, but it is the film’s self-contained genre execution that leads some to believe it is the stronger watch, especially for viewers seeking an old-school science fiction thriller. Sinners, while praised for its ambition and success in critical ratings, may feel less centered for fans of pure horror or sci-fi experiences.
Ratings and Streaming Availability
The Faculty currently holds a 6.6 out of 10 rating on IMDb and a 57 percent average on Rotten Tomatoes, signaling middle-of-the-road reception among both casual viewers and critics. Sinners, meanwhile, has achieved higher acclaim, boasting a 7.9 IMDb score and an impressive 97 percent on Rotten Tomatoes.
Despite their differences in critical reception, both films are now easily accessible for American audiences. The Faculty is available for streaming on Hoopla, while Ryan Coogler’s Sinners can be streamed on Prime Video, opening up the discussion for new audiences to compare the movies directly and decide which approach resonates more.
The Lasting Conversation Surrounding Genre and Storytelling
As conversations continue online and among film communities, the comparison of the Salma Hayek 1998 movie compared to Sinners centers not only on story similarities, but also on what makes a genre film memorable. With The Faculty’s focus on sci-fi horror and Sinners’ broader narrative scope, viewers are presented with two approaches to the supernatural thriller—each with its dedicated fan base.
The significance of this debate lies in how audiences respond to genre boundaries and ambitious storytelling. With Sinners now on Prime Video, and The Faculty still gaining interest decades after its release, the conversation about what constitutes a satisfying horror or sci-fi film continues. Fans of Salma Hayek and the broader cast of both films can revisit or discover these stories afresh, weighing their own preferences in a streaming landscape filled with both nostalgic and innovative entries.