Ben Affleck has navigated a tumultuous career in Hollywood, emerging from a Bostonian background to become a prominent figure in the film industry. This February, viewers can confront both the height of his achievements and the low points of his career, as his directorial debut, Gone Baby Gone, and the infamous disaster Gigli are now streaming on Peacock. These two films epitomize the dichotomy of Affleck’s work, showcasing the brilliance he can bring behind the camera juxtaposed against the crushing disappointment of a film that has become synonymous with failure.
Gigli, released in 2003, has been universally panned, earning its place in cinematic infamy. The film grossed merely $7.2 million against a staggering $75.6 million budget, making it one of the most significant box-office bombs in history. Affleck’s role as the low-level mobster Larry Gigli, tasked with kidnapping the brother of a district attorney, seems a far cry from his later roles that would highlight his abilities. Critics have mercilessly dissected this film for nearly two decades, delivering endless critiques about its incoherent plot and lackluster performances.
In a candid reflection with People magazine in November 2024, Affleck expressed regret over the financial disparity created by Gigli‘s failure. He stated, “I got a big cash payday for that. Well, it doesn’t feel right in retrospect because they lost money.” His honest acknowledgment of the film’s shortcomings emphasizes the discomfort associated with creating works that do not resonate with audiences.
Conversely, Gone Baby Gone, starring his brother Casey Affleck, showcases the brilliance of Ben Affleck as a director. This neo-noir crime thriller exploding with Bostonian grit and moral complexities presents a gripping narrative about private detectives searching for a kidnapped girl amidst a backdrop of crime and corruption. The film has received critical acclaim, boasting an impressive 94% rating on Rotten Tomatoes and securing a Best Supporting Actress Oscar for Amy Ryan. It is a poignant reminder of Affleck’s ability to capture the essence of storytelling on film, and serves as evidence that his cinematic prowess shines brightest behind the camera.
While many may argue about Affleck’s acting capabilities, his talent in directing has generated respect and admiration over the years. He has consistently demonstrated an understanding of film that has resulted in impactful stories and exceptional performances from other actors. His previous works, including Argo and The Town, have cemented his status as a skilled filmmaker, able to weave narratives that resonate with audiences.
Many actors transition into directing, utilizing their experiences to create compelling films. In Affleck’s case, this transition has resulted in a stronger body of work as a director, showcasing his innate capability to communicate vision and emotions effectively. His collaboration with longtime friend Matt Damon in the upcoming film Animals for Netflix is highly anticipated and may further solidify his standing in the industry.
The contrast between these two films presents a cinematic study of Ben Affleck’s journey. While Gigli may provoke cringes and evoke a sense of frustration stemming from its shortcomings, Gone Baby Gone provides an engaging experience worth revisiting. Audiences can explore both films and draw their own conclusions about the trajectory of Affleck’s career, illuminating the potential for redemption and growth in an industry fraught with challenges.