Monday, February 17, 2025

Janelle Monáe Dials Down the Glam with Subtle Red Carpet Ensemble at the Grammys Amid LA’s Recovery Efforts!

At the 2025 Grammys held on Sunday at Crypto.com Arena, Janelle Monáe made a striking decision to set aside her signature black-and-white palette and avant-garde themes for a toned-down ensemble that reflected the current mood of the Los Angeles community, which is recovering from the devastating wildfires throughout the region. Her choice resonated deeply, as it was a thoughtful nod to the backdrop of the evening’s festivities, showcasing her styling decisions amid a time of reflection and healing.

“We pulled things that were more avant-garde, a bit more wacky and out there, but that doesn’t feel like the mindset right now,” stated Alexandra Mandelkorn, Monáe’s stylist since 2017, in an insightful conversation with The Hollywood Reporter. “Janelle and I are always on the same page about things, and we’ve talked about this moment in time and how we’re feeling about it. Doing things extra-large or over-the-top doesn’t feel right,” she added. This sentiment underscores how Monáe’s choices were not merely aesthetic but also deeply rooted in sensitivity to her surroundings and community.

Monáe channeled a beloved theme of androgyny with a menswear-inspired suit by Area, a New York-based label co-designed by Beckett Fogg and Piotrek Panszczyk. From the brand’s Fall/Winter 2024 collection, the navy suit featured subtle gold detailing combined with an oversized silhouette that still retained a relatable quality. “We had a few different options we were considering, all giving this vibe of cool and powerful, effortless and comfortable, but the moment Janelle tried this on, it felt perfect,” Mandelkorn explained. “She loved the shoulders and the oversized element of it, so it’s not totally out of her wheelhouse.”

A standout accessory to the ensemble was a military-inspired captain’s hat, which Mandelkorn detailed, saying, “It’s giving a little bit of Janet [Jackson], a little bit of Grace Jones, and that’s what really sold Janelle on it. She always loves a look with a coordinated accessory, like a hat or gloves.” To complete her ensemble, Monáe chose chain necklaces and other pieces from Dubai-based Maison H Jewels, along with a customized TAG Heuer Carrera Chronograph timepiece featuring a blue leather strap, coupled with platform shoes by Ralph Lauren, which Mandelkorn noted were an easy choice. “Jewelry is always a last-minute decision because it’s about what Janelle is feeling in the moment, but those Ralph Lauren platforms are kind of her go-to. She loves those shoes,” she explained.

It is clear that Monáe and Mandelkorn relish their collaborative relationship, as the stylist shared, “There’s just a language that we both speak, and when you find a client who speaks your language, it makes the job so much more seamless. She can say something, and I can instantly visualize and understand what she wants.” This unspoken connection allowed them to curate a look that embodied both sophistication and accessibility, reinforcing Monáe’s stance as a fashion icon.

Monáe’s impactful presence extended beyond her red carpet appearance. During the ceremony, she joined music legends like Stevie Wonder, Cynthia Erivo, and Herbie Hancock for a tribute performance honoring Quincy Jones, who passed away in November. For this performance, Monáe donned a tuxedo that skillfully blended elements from various brands, showcasing her unique flair. “Janelle’s tux is a tribute to both Quincy Jones and Michael Jackson, and you’ll see the influence of what Michael wore for ‘Don’t Stop ‘til You Get Enough,’” Mandelkorn confirmed. “It’s a mishmash of brands to get the exact silhouette we wanted. But Janelle also has made it her own: Alex crystalized the front of the tux shirt and added details to the socks. And it’s not a fully bedazzled Michael jacket; there’s some sparkle going on, just the right amount.”

The performance was capped off by a surprise moment, as Monáe ripped open her tux shirt to reveal a cutoff tank proudly emblazoned with “I [Heart] QJ.” She styled this impactful look with black loafers adorned with red hearts by G.H. Bass, a staple often included in her tour costumes. “They are loved and well-worn and amazing,” Mandelkorn commented. “These Bass loafers are a special edition not made anymore, so she’s really attached to them. Janelle finds them extremely comfortable, and when you’re comfortable onstage, it comes through in your performance.”

For Monáe and her team, the night was a significant and emotional undertaking. “It feels good to be back in action, but I’m also really excited to see how the community will come together tonight,” Mandelkorn reflecting on the importance of the evening. “Ultimately, this was about Janelle feeling good in what she’s wearing but not feeling like all eyes are going to be on her because what she’s wearing is so out there. This doesn’t feel like the moment for that.” The collective sentiment surrounding Monáe’s decisions proved to be profoundly significant, providing a glimpse into an artist who is not only known for her talent but also her thoughtfulness and compassion amid challenging times.

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