Gates McFadden

More Information

Full Name:
Cheryl Gates McFadden
Nickname:
Cheryl McFadden
Date of Birth:
2 March 1949
Place of Birth:
Akron, Ohio, United States
Nationality:
United States
Profession(s):
Actress, choreographer, teacher
Education:
Brandeis University (BA); L'École Internationale de Théâtre Jacques Lecoq
Career Started:
1980
Professions:
Actress, choreographer, teacher

Gates McFadden Bio

Cheryl Gates McFadden is an American actress, choreographer, and teacher best known for portraying Dr. Beverly Crusher on the television series Star Trek: The Next Generation, in its four feature films, and in later Star Trek projects. She has combined stage training, movement work and screen performance across a career that began in the early 1980s and has included teaching, choreography for film, and occasional directing and producing work.

Early Life and Background

Cheryl Gates McFadden was born on March 2, 1949, in Akron, Ohio, and grew up in the nearby suburb of Silver Lake. She graduated from Old Trail School in 1966 and went on to study theatre at Brandeis University, earning a Bachelor of Arts degree, graduating cum laude in the theatre arts.

After Brandeis, McFadden moved to Paris to study physical theatre with teacher Jacques Lecoq at L’École Internationale de Théâtre Jacques Lecoq. Her training in movement and physical performance informed both her stage work and later choreography for film and television.

Path to Celebrity

McFadden spent the 1970s teaching in post-secondary theatre and dance programs, including positions at the University of Pittsburgh, Harvard University, and George Washington University, and formed a theatrical company called The New York Theatre Commotion. She toured in 1975 with an all-female clown act titled Commedia Dell Pinky, reflecting an early interest in ensemble physical theatre and clowning.

Her early professional work also included choreography and movement direction for film projects at The Jim Henson Company, where she served as director of choreography and puppet movement on Labyrinth and The Muppets Take Manhattan, and contributed uncredited work on Dreamchild. For choreography work she was often credited as Cheryl McFadden to distinguish that work from her acting credits.

Gates McFadden Career

Early Career (1980–1986)

McFadden’s screen career moved into steady film and television work beginning in 1980, reflecting a transition from academic teaching and stage projects to professional screen assignments. During this period she continued to build credits in choreography and movement for film while accepting acting roles that leveraged her theatre training.

Her choreography and behind-the-scenes film work during these years established her reputation in movement direction and prepared McFadden for larger on-screen opportunities that followed in the late 1980s.

Breakthrough (1987–1994)

McFadden was cast in 1987 as Dr. Beverly Crusher on Star Trek: The Next Generation, a role that became her best-known performance and a defining part of her career. The character of Beverly Crusher, a widow balancing motherhood and a medical career aboard the starship Enterprise, featured in storylines that explored professional responsibility and personal relationships, and McFadden remained associated with the role for the run of the series.

Early in the series McFadden clashed with showrunner Maurice Hurley over character development and was not under contract for the second season, during which Diana Muldaur appeared as Dr. Katherine Pulaski. Series creator Gene Roddenberry and cast support, along with fan response, led to McFadden’s return for the third season, and she continued as Dr. Crusher through the remainder of the series. Highlights for her character included episodes that tested medical ethics, personal danger, and alternate realities.

Notable Works and Milestones

Beyond the television series, McFadden reprised Beverly Crusher in all four Star Trek: The Next Generation feature films and provided voice work for licensed Star Trek video games. She directed a seventh-season episode of Star Trek: The Next Generation, served as choreographer on select episodes, and later returned to the Star Trek universe with voice and live performances in Star Trek: Prodigy and an appearance in Star Trek: Picard. Her screen roles outside Star Trek include the 1990 films Taking Care of Business and The Hunt for Red October, a recurring part on the sitcom Mad About You, and the television series Marker in the 1990s.

McFadden has continued to work in theatre and television, lending narration to audio books and documentaries, and serving in production roles. She narrated the documentary series The Center Seat: 55 Years of Star Trek in 2021 and was credited as an executive producer on that project. In 2021 she launched a podcast titled Gates McFadden InvestiGates: Who Do You Think You Are?, conducting interviews with close friends and former co-stars.

Family

McFadden became a mother in 1991; her pregnancy during Star Trek’s production was concealed on-screen. Her Next Generation co-star Brent Spiner is publicly identified as her son’s godfather. She is of Lithuanian descent on her mother’s side and remains connected to the theatre and teaching communities that shaped her early career.

Personal Life

McFadden has combined academic teaching with professional practice throughout her career. She taught at multiple universities and institutions, including the American Academy of Dramatic Arts, Brandeis University, Harvard University, Purdue University, Temple University, the Stella Academy in Hamburg, and the University of Pittsburgh, and has been listed as an adjunct faculty member in the School of Theater at the University of Southern California.

She served as artistic director of the Ensemble Studio Theatre/Los Angeles from January 2009 to October 2014 and led efforts to develop the Atwater Village Theatre Collective, a two-theater space in Los Angeles. McFadden has spoken about early-career concerns with personal safety while teaching prior to her Star Trek tenure but has since engaged positively with fan conventions and outreach related to her work.