Actor Colman Domingo has placed his Los Angeles residence on the market for $2,049,000, offering buyers a rare chance to own a striking piece of Mid-Century Modern architecture. This Colman Domingo LA home, located in Downey just southeast of downtown Los Angeles, reflects the eclectic and luxurious taste that has become synonymous with the award-winning performer.
A Look Inside the Elegant Mid-Century Dwelling
Colman Domingo described his house as a place where “everything is an event,” emphasizing his desire for a living space that feels like a luxury hotel. He shared this sentiment during an Architectural Digest tour in 2021, remarking,
“I only eat off stoneware plates with gold silverware – it really feels like I’m in my own luxury hotel and if I want to live that way, why not?”
Originally designed in 1964 by Jules Salkin—a friend and collaborator of famed architect John Lautner—this residence, known as the Hofkin Residence, embodies Wrightian architectural principles. It highlights horizontality, natural materials, and seamless indoor-outdoor integration, securing its place as a standout example of Southern California Modernism.
Restoration and Design Details That Preserve a Legacy
Domingo and his husband Raúl Domingo, whom he notably met in a Walgreens parking lot, purchased the home in October 2018 for $1.15 million. Since then, they have carefully restored and upgraded the property while honoring many of its original features. These include wood-paneled walls, cathedral beamed ceilings, custom cabinetry, built-in furniture, a built-in bar, and a striking sunken living room centered on a sculptural stone fireplace.
According to Colman,
“I want my home to have a sense of play; I never want it to be fussy. We wanted everything to be vintage or a replica.”
This approach maintains the residence’s authentic Mid-Century feel while infusing it with personal style.
Unique Artistic Elements and Interior Highlights
A standout attribute of this property is a bathroom wall decorated with colorful tiles made from remnants of Charles Kratka’s iconic mosaic tunnels at Los Angeles International Airport. These mosaics appeared in Quentin Tarantino’s 1997 film Jackie Brown and an episode of Mad Men, making the tile design a rare feature found in only three other homes in Southern California. Reflecting on the tiles, Domingo said,
“When I came into this bathroom, I actually had the feeling of I have to preserve this. I love this tile so much, and so because I’m insane, I bought a vintage Dior bathrobe to match.”
Spanning 3,450 square feet, the house offers four bedrooms and five bathrooms arranged on a single ranch-style level. Additional amenities include a gym, private sauna, and a home office furnished with built-in bookshelves and a window seat. The teak kitchen features counter seating for three and a cozy breakfast nook, while the living room opens directly to a dining area.
Living Spaces Designed for Comfort and Entertainment
The indoor areas connect via sliding glass doors to a spacious patio bordered by a backyard pool, which includes a vintage diving board and a pergola-covered seating area. All of this is set within a secluded 16,400-square-foot lot, offering privacy from the street and providing an ideal venue for gatherings or quiet reflection alike.
Reflecting on the property’s significance, Domingo posted on Instagram,
“This House that we made a Home. Now for sale. It is such a gem. I know the right couple or family with find its way to it. There are memories of pool parties, celebrations, quiet moments of solitude and pure joy.”
The Future for this Architectural Gem
This iconic Colman Domingo LA home combines historical architectural importance with contemporary comforts, making it a unique offering on the real estate market. Its rich design and deep personal history promise to appeal to buyers who appreciate both distinguished style and lived-in character. As it awaits a new owner, the residence continues to stand as a testament to Southern California’s architectural heritage and Domingo’s distinctive personal taste.
