Ellen Geer

More Information

Full Name:
Ellen Geer
Nationality:
United States
Profession(s):
Actress, professor, director
Parents:
Herta Ware (Mother), Will Geer (Father)
Partner:
Ed Flanders (Married, 1963 to 1968), Peter Alsop (Married, 1975 onwards)
Children:
Willow Geer (Daughter)
Career Started:
1961
Work:
Petulia (1968), The Reivers (1969), Kotch (1971), Harold and Maude (1971), Silence (1974), Memory of Us (1974), Over the Edge (1979)
Professions:
Actress, professor, director

Ellen Geer Bio

Ellen Geer (born 1941 or 1942) is an American actress, professor, and theatre director whose career spans film, television, and stage. She is the daughter of actors Herta Ware and Will Geer and has served since 1978 as artistic director of the Will Geer Theatricum Botanicum in Topanga Canyon, California. Geer’s body of work includes early film appearances in Petulia and The Reivers, supporting roles in Kotch and Harold and Maude, numerous television guest spots, and longterm leadership of a regional repertory theatre.

Early Life and Background

Ellen Geer was raised in a family deeply engaged in the performing arts; her mother was Herta Ware and her father was Will Geer, an actor later widely known for his role on The Waltons. Growing up in that environment provided early exposure to theatre production and performance and shaped her professional interests. Details of formal schooling are not publicly verified in the available records, but her theatrical formation included early stage practice within repertory and company settings affiliated with her family’s work.

In the early 1960s Geer began to establish herself on regional stages. In 1963 she joined the Minnesota Theatre Company for the opening seasons of the original Tyrone Guthrie Theatre in Minneapolis. While there she played leading roles, including the title role in Bernard Shaw’s Saint Joan, which demonstrated her command of classical material and ensemble repertory work.

Path to Celebrity

Geer’s transition from regional theatre to screen work came in the late 1960s. She moved from stage roles into small but notable film parts, beginning with an appearance as a nun in Richard Lester’s Petulia in 1968. Her early film work placed her alongside established actors and provided exposure to a broader cinematic audience.

Across the early 1970s Geer expanded both her on-screen range and her off-stage responsibilities. She worked in films that included The Reivers and Kotch, and she became a regular on television on The Jimmy Stewart Show. By the mid 1970s she was writing and starring in projects such as Silence and Memory of Us, both of which featured her father, showing a move into creative authorship as well as performance.

Ellen Geer Career

Early Career (1961–1969)

Geer’s professional activity is documented from the early 1960s, with a career start cited as 1961 and significant stage work in 1963 with the Minnesota Theatre Company and the new Tyrone Guthrie Theatre. Those seasons included classical repertory roles and credited her as a capable stage actor in ensemble-driven productions.

Her first credited screen appearances arrived in the late 1960s. Geer appeared in Petulia in 1968 and followed with a role in The Reivers in 1969, where she acted alongside her father. These early film parts helped establish her presence in motion pictures while she maintained active engagements in theatre.

Breakthrough (1968–1974)

The period from 1968 through the mid 1970s represents the most visible expansion of Geer’s screen career. Her part in Petulia in 1968 introduced her to film audiences, and her performance in The Reivers in 1969 reinforced her screen credentials. In 1971 she appeared in Kotch, playing the deceased wife of the lead character in flashbacks, and she had a supporting role in Harold and Maude, a film that remains a notable part of her early screenography.

By 1971 Geer had also secured a regular television role on The Jimmy Stewart Show, increasing her on-screen profile. In 1974 she wrote and starred in the films Silence and Memory of Us, both projects that included her father and represented a period in which she combined acting with authorship. Throughout the 1970s she continued to work steadily in television guest roles and television movies, broadening her resume across formats and genres.

Notable Works and Milestones

Signature screen works from this phase include Petulia, The Reivers, Kotch, and Harold and Maude, while the mid 1970s projects Silence and Memory of Us demonstrate her expansion into writing and collaborative filmmaking. A longterm milestone is her appointment as artistic director of the Will Geer Theatricum Botanicum in 1978, a position she has held since that year and through which she has influenced regional theatre production and repertory programming in Topanga Canyon. Geer also taught acting as a visiting associate professor at the UCLA School of Theater for twelve years, contributing to actor training and academic theatre instruction.

Ellen Geer Award Nominations

No verified public record of major award nominations is available in the provided sources, so specific nomination listings are not included here.

Ellen Geer Awards Won

No verified awards data is available in the provided sources, so an awards table is omitted. Public records supplied do not document confirmed wins that meet the verified threshold for listing.

Ellen Geer Family

Ellen Geer is the daughter of actors Herta Ware and Will Geer. Her father gained wide recognition for his later work on television and was a central figure in the family’s theatrical life. Family ties to the performing arts informed her career path and longstanding involvement in repertory theatre.

Geer has one publicly verified child, a daughter named Willow Geer, who is also associated with the performing arts. Public records confirm Ellen Geer’s marriages to actor Ed Flanders, from 1963 until their divorce in 1968, and to Peter Alsop, beginning in 1975.

Personal Life

Publicly available information emphasizes Geer’s professional and community roles rather than private residence details. She has been the artistic director of the Will Geer Theatricum Botanicum since 1978, overseeing repertory seasons and outdoor productions that reflect the family’s theatrical legacy. Her leadership at Theatricum Botanicum has been a defining element of her later career and public life.

Geer also contributed to actor training through her appointment as a visiting associate professor at the UCLA School of Theater, where she taught acting for twelve years. Her dual commitments to performance and teaching reflect a career that bridges practical stage direction, screen acting, and pedagogy.